Monday, August 31, 2009

Top 50 Songs of the 2000s (40-31)

40. Deftones - Knife Prty

I have to admit that I have a pretty heavy bias when it comes to this album--as the old cliche goes, "this album got me through some tough times." I have a lot of very emotional memories attached to this disc but I promise that didn't influence me in picking this song (too much). This song is just such an emotional ride and features some impressive drum work by Abe Cunningham. The epic, swirling ending featuring the chilling vocal performance of Rodleen Getsick gives me goosebumps every time. Just such a powerful, epic, haunting, borderline disturbing song by one of my favorite bands since high school, I had to give it a spot on the countdown.

39. Dredg – The Canyon Behind Her

To say this is the most epic song in the diverse Dredg catalog is a far bigger compliment than you might even realize. I've always thought Dredg was one of the most underrated bands I had ever heard. Every time I show this band to someone they're always blown away by how beautiful, unique, and moving their music is and yet they never really seem to garner the audience they deserve, never really fitting into a particular niche or scene. The title of this song is very fitting because as soon as it kicks in you can feel the sensation of standing at the edge of a great canyon looking over the scenery. The epic, flowing melodies of the guitars blanket you like a massive waterfall and then drop you into outer space with a characteristically (for this album, anyway) quicker-paced spacey verse before letting you fall back to earth into the waterfall. The towering final moments of the song are accentuated by an ethereal choral arrangement that ends up being the last thing you hear before cutting off abruptly, completing the journey.

38. The Mars Volta - Roulette Dares (The Haunt Of)

I often have a hard time deciding whether I prefer At the Drive-In's swan song "Relationship of Command" or The Mars Volta's full-length debut "De-Loused in the Comatorium." Generally it depends on whether I'm in the mood for raw, irrepressible emotion or well-developed melodies and epic prog-rock atmospheres. The Mars Volta also tends to be a band that tries a little too hard sometimes and gets lost in their own sprawling prog sensibilities, especially on the albums that followed their debut full length. This song is The Mars Volta at their best with flowing, dynamic songwriting marked by a towering chorus and some brilliant musicianship in the bridge, especially by drummer Jon Theodore.

37. Baroness - Wailing Wintry Wind

Baroness is a band unlike any other you'll ever hear and, as a result, possibly one of the most accessible and without question one of the most unique metal bands currently in existence. I know some of you might find it hard to believe you would ever like a band that could be referred to as "metal" but Baroness is the furthest thing from your typical metal band. They manage to pack everything from massive stoner rock riffs to beautifully serene melodic guitar harmonies to classic rock noodling and rhythms and more into each song they craft--and I do mean craft. "Wailing Wintry Wind" is compelling for its snowballing progression from the hushed atmospheric tones of the intro to the snare-driven build-up that teases you by dropping into an uneasy sounding plucked guitar line before really going into high gear. Baroness's unique talent for dynamics is especially prevalent throughout this song, which is almost bereft of any scathing metal riffs or guttural growls, opting instead for deep, gravelly, bombastic vocal melodies and atmospheric tones that are as mesmerizing as they are moving.

36. The Hold Steady - Southtown Girls

And so we come to our first repeat offender on the list, The Hold Steady. I saw The Hold Steady live in Orlando in December of 2006 and was kind of blown away by how phenomenal they were live. Full of the energy and exuberance that flows forth from many of the tracks on "Boys and Girls in America"--and it was only fitting that they played almost every song from that album which is so chock full of joyous, anthemic choruses. This was the last song they played before the encore and couldn't have been a more fitting close for their initial set--it also closes out the "Boys and Girls in America album--and when you hear it, you'll understand why. Craig Finn's poignant crooning of "southtown girls won't blow you away...but you know that they'll stay" is impossible to resist singing along to--even if you don't know the words...which you do now. That impeccably catchy line is followed by an equally catchy guitar riff ushering in the verse of the song, however it pales in comparison to the catchy-ness of the chorus which will be stuck in your head for days to come: "southtown girls won't blow you away...but you know that they'll stay"

35. The Bouncing Souls - Gone

The first (and by FAR the best) time I saw The Bouncing Souls live, singer Greg Attonito prefaced this song by saying "this is for anyone who's ever gone through a hard time in life...just remember it gets better and tomorrow the sun will rise...this song is about that, it's called Gone." That's this song in a nutshell; the triumphant closing song of "How I Spent My Summer Vacation" is one of the most uplifting, most powerful, and easily one of the best pop punk songs I've ever heard (there are only two pop punk songs ahead of this one on the list. Attonito's ultra powerful pipes carry the soaring melody of "It was a darkness all my own...a song played on the went straight to my heart...I carried it with me until the darkness was...GOOOOOOOOONE"--that elongated "gone" signifying one of the most powerful, infectious hooks I've ever heard. If you didn't think pop punk could be beautiful, you need to hear this song.

34. Outkast - Ms. Jackson

Repeat artist #2. Another in a long line of infectious Outkast hits with a ridiculously catchy beat, an even more ridiculously catchy chorus (sang in a weirdly endearing out-of-tune wail) complete with Andre and Big Boi's brilliant, passionate lyrics. This song has a unique soulfulness to it that almost reminds me of Bone Thugs's "Tha Crossroads" and gives the track a timeless quality. When all these elements combine they make for an absolutely unforgettable song.

33. Bright Eyes - Something Vague

Lyrically, it would be tough to find a better song in the Bright Eyes catalog than this, which is really saying something. The vividness of Conor Oberst's storytelling is never so brilliantly accentuated as it is here as the song almost plays out like a miniature film in your head. When he wails "and then the bridge disappears and i'm standing on air with nothing holding me" I can really visualize myself standing, in that moment, on an old medieval bridge that has suddenly disappeared--as a matter of fact, I can't not imagine that. And those flutes. Oh, those flutes. Conor Oberst never fails to disappoint when he decides to take you on a journey through his whimsical mind.

32. Radiohead - Knives Out

Sadly nestled in one of Radiohead's most overlooked albums (and although some consider it a collection of b-sides from Kid A, the band has said the two albums should be considered "twins separated at birth"...and honestly it is a phenomenal album that has some brilliant tracks like "You and Whose Army?", "Pyramid Song", "I Might Be Wrong", and others), "Knives Out" is a song about cannibalism. It's not hard to imagine, with lines such as "So knives out...Cook him up...Squash his head...Put him in the pot." Radiohead's unique talent for unsettling atmospheric chord progressions is very apparent in this song, and perhaps fittingly, considering the subject matter. If Amnesiac really were to be consider a b-sides collection from the Kid A sessions then I would think this would be a song that Radiohead would be kicking themselves for not including on Kid A.

31. Eminem - Stan

I had never even heard the Dido song that this beat was sampled from before I heard this song. When I checked out the Dido song after learning of what song it was, I was pretty disappointed that it didn't live up to the dark, sweet melancholy of that clip from the verse and certainly of this entire song. A very compelling and poignant (if a tad egotistical) concept for this song really accentuated that darkness in the melodies of Dido and made for an extremely powerful song. What really put it over the top was a pretty intense music video featuring a pretty decent performance from Devon Sawa as the crazed fan.

Sunday, August 30, 2009

Top 50 Songs of the 2000s (50-41)

The other day I saw that Pitchfork Media did a staff list of their top 500 songs of the last decade so I decided it would be fun to make my own (much more esoteric) list. As with most lists like this I make, while it is not merely a list of my favorite songs and I do make these lists with a degree of objectivity, it is also very much a biased list. I also put far more emphasis on sheer musicality and songwriting than I do on popularity or "social significance" and therefore don't expect many people to agree with my choices...but that's why it's fun, right? Anyway I'll be posting a series of five entries in the next five days counting down my own person top 50 songs of the last decade in increments of 10...starting with 50-41:

50. System of a Down - Tentative

When I started getting into more underground/DIY (and, thus, better) music, I sort of wrote this band off. Even though they were still one of the few "nu metal" bands I thought had some merit, I didn't much care for them anymore. One day not too long ago I decided that a lot of the music I'd written off as I became more immersed in the DIY scene was music that I had been convinced didn't matter as opposed to deciding it didn't. Shameful indeed. So I decided know...write it back on, I guess? Whatever. The point is that during that time I discovered that System of a Down's Mesmerize/Hypnotize double album--an album I never really bothered to check out since it came out when I was all DIY holier than thou--was actually the best thing they had ever done...and it wasn't even close. Well, actually maybe it was kinda close but only because the two albums had a lot of...I don't want to say "filler" because they're good, listenable songs; but songs that don't measure up at all when compared to brilliant tracks like "Revenga", "Violent Pornography", "Question!", "Sad Statue", "Lost In Hollywood", "Attack", "Dreaming", "Hypnotize", "Lonely Day", "Soldierside"...or this song. The first time I heard the haunting bridge of this song my jaw literally dropped and I had to listen to it like 10 more times in a row. The chilling relevance of Serj Tankian crooning "where do you expect us to go when the bombs fall?" fell on my chest like a cinder block and left me gasping for air under its emotional weight. Accompanied by a raucous, vintage SOAD verse and a characteristically (for this double album) epic chorus, this is perhaps the most shining example on either disc of guitarist Daron Malakian's growth as a songwriter...and that's saying a lot.

49. Ben Folds - Zak and Sara

No one does quirky piano pop like Mr. Folds himself and you'd be hard pressed to find as exhilarating a romp in his catalog as this. From the second that exhuberant piano line kicks off the song, you can't help but wear a big, shit-eating grin. As he muses about "Sara-spelled-without-an-H...getting bored on a Peavey amp in 1984" and how "Zak-without-a-C tried out some new guitars, playing Sara-with-no-H's favorite songs" you feel yourself start to wish that you were there in this mythical guitar shop with Zak and Sara. The whole song just feels like a "becoming good friends/falling in love" montage from a romantic comedy and drips with heartfelt nostalgia--complete with la-la-la's and ooo-ooo-ooo's. Ben Folds is a pop music messiah.

48. The Hold Steady - Chips Ahoy!

Much the same as Against Me!'s "As the Eternal Cowboy" album, there's a part of me that feels like The Hold Steady's "Boys and Girls In America" could have been better served to have this song open the album. As great as "Stuck Between Stations" is as an opener, this song really has a lot more of a "kick things off" feel to it, especially as the keyboard swings the track from warm-up mode to first gear. One fantastic opening line ("She put $900 on the fifth horse in the sixth race...I think his name was Chips Ahoy") kicks it into second gear just as fast. Before you know it the song is at full speed ahead with a joyous, anthemic chorus that becomes somewhat of a theme with this album. Craig Finn croons "how am I supposed to know that you're high if you won't let me touch am I supposed to know you're high if you won't even dance" over an exuberant chorus of whoa-oh-oh's that you just can't help singing along to. Bar rock has never been this much fun.

47. Neil Perry - Fading Away Like the Rest of Them

Ah, so we come to the first of many very esoteric selections on my little countdown. HEY, STOP SKIPPING AHEAD. Neil Perry is a very unheralded, largely unknown screamo band (that's REAL in Funeral Diner, Circle Takes the Square, City of Caterpillar...bands you've probably never heard of...NOT My Chemical Romance or Hawthorne Heights or whatever new shit band is doing that style on MTV6 now) whose lifespan was a mere five years (1998-2002) and who produced a great number of songs during that time--40 in total, all of which fit on one disc of their discography entitled "Lineage Situation", about seven of which are actually really least in my opinion. This is the best of those seven without question. Definitely the least disjointed and complex of the first seven songs on "Lineage Situation", "Fading Away Like the Rest of Them" relies less on piercing screams than any of the others and more on haunting melodies and a straight-forward time signature. It also has some of the most breathtaking drum work you'll ever hear and one of the most epic breakdowns as well. Seriously, go download this song and tell me you don't get goosebumps when that spellbinding drum solo comes crashing into the soaring vocal harmonies of "the same wayyyyy."

46. The Assistant - Training Wheels or No Hands

Another highly esoteric track out of the screamo genre by a band with an equally short lifespan (1999-2003). This one, however, is far less accessible than the Neil Perry entry. It relies a lot more on disjointed, complex timing but don't let that fool you because there is a healthy dose of melody here as well, including a beautiful recurring keyboard melody (played in piano mode, so it's not cheesy or anything). But really the star of the show any time you're listening to The Assistant is drummer Ross Olchvary, one of the great technical drummers that no one has ever heard of. What makes him such a great technical drummer (and a great drummer in general) is his tremendous feel for tempo, his impeccable, innate, subconscious internal metronome...a crucial and rare trait in a drummer, especially nowadays. You'll see what I mean when the pretty, melodic opening minutes of the song run head-first'll see...

45. A Perfect Circle - 3 Libras

Now we jump from two largely unknown bands back into the mainstream full force with a hit single from A Perfect Circle. OK, maybe it's not a hit single but it's certainly one of the most beautiful songs that's ever made its way onto the radio waves. To me this song sounds like a sailboat sailing off into the sunset. I can recall listening to this song in my headphones on the metrorail ride home from high school on friday afternoons and how perfectly it captured the peaceful joy I felt looking forward to the weekend--especially long weekends. I also feel a special affection for this song because it's about unrequited love--"difficult not to feel a little bit disappointed and passed over when I've looked right through to see you naked but oblivious and you don't see me" Maynard James Keenan sings in his flawless trademark croon--which is a subject very close to my heart.

44. At the Drive-In - One Armed Scissor

I have to admit that when I first heard this band they weren't really my cup of tea. The guitars were kind of weird and not that heavy (this is when I was all into Korn and Limp Bizkit and all that bullshit). But the more chances I gave it, the more I loved the intricate guitar work and the irrepressible urgency of this band, no better packaged in any song than this one, complete with an ultra-catchy chorus. I can recall seeing a video of the band performing this song on the Conan O'Brien Show some time after they had broken up and wanting to kill myself for never having seen them live. I guess I still have a chance to see The Mars Volta but that could never possibly be the same.

43. Thrice - The Earth Will Shake

In the liner notes of Thrice's 2005 magnum opus "Vheissu", singer Dustin Kensrue cites a CD of old chain gang songs as the main influence for this song (although I think Isis might have had something to do with it as well...specifically the chorus). You can really hear that bluesy influence shine through in this song, especially vocally. Obviously it's most evident in the "call-and-response" style passages in the intro and bridge of the song but you can hear it in Dustin's voice through the whole song. The roaring Isis-esque 7/4 time chorus is so achingly powerful you almost forget that Kensrue is screaming in your ears: "heartbroken we found (a gleam of hope) harken to the sound (a whistle blows) heaven sent reply (however small) evidence of life (beyond these walls) born and bred (in this machine) wardens dread (to see us dream) we hold tight (to legends of) real life (the way it was before)."

42. Eminem - Guilty Conscience

No, it's not "My Name Is." No it's not the song that put Eminem on the map. It is, however, a much better song, conceptually as well as lyrically. It's also, in my opinion, the song that put Eminem over the top. "My Name Is" is, in spite of its lyrics, a very poppy song, much like "The Real Slim Shady"...and it's songs like this that kept Eminem on MTV and radio waves. However this song better established his credibility as a real MC with some scathing lyrics and a guest appearance by Dr. Dre. The proverbial "angel and devil on the shoulders" storyline of this song is compelling and creative...and who doesn't love the surprise ending that MTV had to censor due to its obvious negative moral turpitude.

41. Andre 3000 - Hey Ya!

This song was a phenomenon unlike anything we've seen this decade, even if it wore out its welcome before long. No one song of the 2000s became such a sensation so immediately. For what seems, in retrospect, like a week tops, this song was absolutely EVERYWHERE. And why shouldn't it be? It's also probably one of the 10 catchiest songs of this decade as well...and certainly one of the most quotable (go ahead and try to find someone who actually goes out of their house and can't correctly answer the question "What's cooler than being cool?"). Not only is it catchy but it's brilliantly written and overwhelmingly fun and accessible...a combination Outkast have shown time and again they have a very unique talent for.

tune in tomorrow for 40-31

Friday, August 28, 2009


X-Men Origins: Wolverine = waste of time
You'd think a Wolverine movie would be easy. Set up a bunch of cool action sequences put Weapon-x in them and watch bad guys get sliced and diced. Instead they adapted the weaker part of Wolverine's origin.
I didn't like the focus on Victor and James/Logan as brothers the dynamic doesn't work for me. It doesn't feel natural and the movie never really sells it. We never get to see brothers being brothers, instead we get guys fighting and killing stuff in lame pg-13 fashion. The new Sabretooth Liev Schrieber is pure genius. I wish we could go back and put him in over tyler mane's lumbering grunting Sabretooth from the original fox x-men film.

Ryan Reynolds is used far to little. Blob was better than I thought he would be but he didn't fit in the film and should've been in Last Stand instead. WillIam was atrocious and should please stick to singing.
Stryker was fantastic and he was a great heavy which is difficult to pull off in a film with two great badasses like Jackman and Schrieber. The special effects were atrocious for the budget of the film and I hated the wire jumping with Sabretooth and the lame long finger nails. The effects were problematic and I think all of the X-men films were better fx wise even horribly rushed x3 looks better than Origins. This film would have been better as an R with less mutants and focusing more on him fighting in the wars and losing friends and finding pathos and trauma that will later fuel his animal berserker rages.

I loved the casting of Taylor Kitsch as Gambit and I think he worked but it just didn't feel like it fit for the movie. Logan and Gambit's friendship seemed unnecessary and forced. I'd love to see a Gambit Wolverine buddy mutant action film or grindhouse style double feature. Gambit in an ocean style thieve-thriller, and Wolverine as a revenge gore-story.
I kind of like the way they teased at X-men First class would have liked better if they would have played Prof. X straight and explain that he got botox later in life or something. I loved Logan as a lumberjack most of all in the film.
The opening acting and plot-line in the 1800's is horrible. The climax of the film was craptastic and it's ironic that the first film of the summer was the worst of the summer.

Wednesday, August 19, 2009

HaRRY PoTTER and the HaLF-BLooD PRiNCe

Harry Potter and the Half-Blood Prince

Ugggh! What wasted opportunity. The Harry Potter series in my opinion has been grossly mishandled. The books should have been adapted as hour long tv shows or mini-series. maybe turning every chapter into an episode or or every half book into a movie or something to that effect.

I think that the film series started off well enough Sorcerer's Stone was faithful enough as was Chamber of Secrets, Prisoner of Azkaban added more style to the series which the following films carried brilliantly. I as very upset with the massive changes in Goblet of Fire and the Order of the Phoenix run time. This film also similarly flabbergasting story choices that I felt unnecessarily deviated from the awesome things that actually happen in the book.

The Half-Blood Prince is very much a companion piece for death;y Hallows and in that way it works well in book form i fail to see how the films will blend and tell the upcoming story. I was
disappointed in the film and the fact that the line I'm not a coward didn't make it into the film is a travesty. The special effects were the best they've ever been in the series and Horcruxes really seem less fascinating in the film than they seem in the book. The casting of Slughorn was fantastic and I look forward to the Deathly Hallows films an how they will be treated maybe they will justify this film.

Oh and you can't tell me Eric Bana wouldn't have made a better Fenrir Greyback.

Oh yeah!!!

Tuesday, August 18, 2009

drag me to hell

Sam Raimi is back at his best. I hated Spiderman-3 loved Spider-man 2 and absolutely love Drag Me to Hell it's a rare experience when you realize you are going to love a film after only 15 minutes. Some movies that can elicit this are Easy Rider, Th Dark Knight,

Star Wars A New Hope, Hellboy, Raiders of the Lost Ark, Desperado, Kill Bill, Ghostbusters,
True Romance, The Running Man, the Goonies, Total Recall,
and Star Trek 11 to name a few. This film is one of those few simply for the way and style in which the DRAG ME TO HELL title card is shown. It feels so Grindhouse and cool. This film would fit in perfectly as a modern day Grindhouse it's strange how this film feels like a modern day period piece.
I am flabbergasted at the skill Raimi shows in turning mundane items like a handkerchief and an old ladies teeth and turning them into iconic horror props, pop-out scares, to gross, frightening, disturbing, and hilarious effects.
I would have loved to see the film with Ellen Page in th lead but I'm pleased with the product we recieved the acting on all fronts is superb.
The seance scene is great as is the graveyard sequence and opening teaser.
The film moves along pretty brickly and despite the satanic elements is actually a pretty okay family film for a liberal family. Justin Long for some reason is so loved by the audience that when his characters immortal soul is put in jeopardy the audience actively roots for the protagonists well deserved demise. Raimi should stick to these horror films for college k,ids and thriteen year olds and pass on the Spider-man job to someone with less skill in the horror field. Raimi is still a god of horror. Evil Dead 4 better be in the works.
I look forward to a series of these Drag me to Hell films and I can't wait for "Drag me 2 Hell" or "Drag me From Hell" or "Drag 3 to Hell" OHHH! TRADEMARK that quick.

Sunday, August 9, 2009

Ghosts of Girlfriend's past

Ghosts of Girlfriend's Past is an odd addition to my summer movie picks. Much like yourself I figured this was a sappy chick flick, I was never more wrong.
My first taste of Ghosts of girlfriend's past came upon my fourth viewing of Star Trek. I was chatting with some of the movie theatre staff talking movies as i usually do. He mentioned in passing he got to see Ghosts of Girlfriend's Past while cleaning and that it was very unexpectedly funny. I replied "NO WAY".

He said "for real, it's actually not that much of a chick flick. it's kind of about a guy who is a real player and it has actually has good advice about relationships, Check it out."

I took his recommendation to heart and being the open minded cine-phile that I am. Checked it out a couple of days later after my fifth viewing of Star Trek and was pleasantly surprised. First off the script is very smart and witty. It successfully plays with all sorts of relationship, and christmas carol tropes.

McConnaughey gives a stellar performance his best since Tropic Thunder and Dazed and Confused.

Michael Douglas is also phenomenal as Uncle Wayne like he hasn't been in a long while. He has a real fun character to play that makes Gordon Gekko and "D-Fens" look tame.

The women in the film are also superb Garner is lovely as always along with Chalbert and the rest of the beautiful honeys.
The effects are good and the film is very enlightening for a single man and alot of the relationship advice is spot on and honest.
I highly recommend this film, gereat date film, and good to enjoy with the wife on a late night. There is plenty of eye candy for both sexes, plenty of honest humor for both sexes, and a lot to learn for both sexes. Ghosts of Girlfriend's Past is a chick flick with alot of heart and smart. It delivers a chick flick any dude can enjoy and not feel ashamed. Check it out.

Saturday, August 8, 2009

GI JOE rise of Cobra

Gi JoE Rise of COBra

YO joE!!! the last video is what i'm used to thinking of when it comes to GI joe in film. I consider Stephen Sommers movies to be one of my film guilty pleasures. His films are cheesy, fun, over the top awesome. He has a real great talent for making films fun and light. It's a shame he wasn't involved in Mummy 3 which i have yet to watch but am not exactly thrilled about. I love Van Helsing even if it took a while for me to appreciate its ridiculous fun. Gi Joe is in the vain of Van Helsing and is set in the not to distant future. The special effects aren't quite as good as Van Helsing and are more along the lines of the Mummy Returns which are passable. The action is fun and the editing is tight and effective. The story is simple nano-mite briefcase is the macguffin and everyone is fighting for it. The casting with exception of Duke and General Hawk, is spot on.

For Duke I'd like to have seen Wahlberg or Di Caprio or Chris Pine and Hawk should have been Kurt Russell or the Swayze. I'd actually like to have seen alot more action movie stars in the film Fraser was a nice touch but they should've gone balls out gotten Stallone, Schwarznegger, Hugh Jackamn, Ben Affleck, Vin Diesel, Dwayne Johnson, Sean William Scott, JCVD, Steven Seagal, AntonioBanderas, Johnny Depp, Clive Owen, Harrison Ford, Bruce Willis, Jason Statham, Uma Thurman, Danny Trejo, Ving Rhames etc.

Cast to perfection however are Baroness and Scarlett who are sexy, seductive, and can actually through their tight leather outfits.

Joe Gordon Levitt of 500 days of summer and brick fame is spectacular and his turn in the film is very cool. I would have enjoyed it more if Cobra Commander would have had the bad-ass high pitched annoying voice. This movie is all eye candy and it may satisfy your sweet tooth or give you a tooth ache. It's a total popcorn flick far more effective than Transformers 2 or Terminator Salvation or even X-men Origins Wolverine.

It's interesting that this should come out the same summer as a Transformers film I'd actually like to see the directors switch films. I think Sommers would be a far better choice for the Robots in disguise as he is a master of bringing childlike funny with out offending or falling to deep into stereotype unless thats the film's style.

Meanwhile Michael Bay with his over-patriotic guns a blazing explosion heavy style seems a far more perfect fit for a GI JOE franchise. One beef I did find with the film is how they went a more globalized route for GI joe when I think the property should really be more America based seeing as how it is GI Joe: A real American Hero. All in all GI joe isn't a total waste of money its a good family film but in a summer jam packed with great family cinema i don't thin this should be at the top of your list. If you have seen all the current films this isn't a bad way to spend a couple of hors i recommend it overall.

Friday, August 7, 2009

shameless plug

I would like to invite one and all to enjoy my youtube page and rap group Cult Classic I think you'll be quiet familiar with the subject matter of my raps which is similar to the subject matter of my blogs here are some vids. Hey Girl the first video is the only song i consider appropriate for all ages my freestyles are a little harder to keep pg-13 enjoy and I'd love to hear your feedback. Just so you know my rap alias is MC maaster CHIEF lol enjoy


So for the time being you will receive a bunch of movie reviews for the Summer movie season 09In no particular order you will soon get my two cents on:

Observe and REPORt
Los Sin Nombre
Transformers: Revenge of the Fallen
Land of the Lost
The Hangover
Funny People
Night at the Museum battle of the SMiTHsonian
Angels and Demons
TERMINATOR salvation
Let the Right one In
Inglorious BASTERDS
WOMDER WOMAN (animated)

also comic reviews of
SUPERMAN red son
Just Imagine STAN LEE creating the dcu

also tv reviews of

and...SATY TUNED KIDDIES stephen of comicbookweekness is back